Spring flashes out it’s paper prose with Nathan Alling Long

nathan-paper-blogpostPaper! What a crazy and amazing invention. Could you imagine us with a hammer and hundred of iron letters on our writing desks and large slabs of stone? Ah, suddenly… thinking of paper makes me feel I’ve lost a gazillion pounds and Shakespeare is whispering sonnets in my ear. Thank you paper, I love you!

Though paper was invented in 105 AD in China, our featured writer, Nathan Alling Long’s richly layered story “In China” is far from the invention of paper. The piece invents in other surprising ways. With paper as a witness to treacheries outside, it acts as unifying element of grief on the human level. This is a beautiful story. “In China” excerpt: 

Every day I read the paper, looking for such disasters—new piles of bodies found in Rwanda, an earthquake in Chiapas, a derailed train outside Copenhagen.  The worst news always makes me feel a little better, always lessens this feeling that I’m the only one with loss.

In his storyFliesI get a visceral thrill—a good physical dose of the power of paper. And, the symbolic gestures are something to consider. A short excerpt to give you a taste:

I have to say, I get pretty damn good at knocking these things off the wall. The real pleasure is hearing them land on the floor like tiny bits of paper, a faint sound, like a fallen angel. Killing is not so bad in tiny amounts, it strikes me now, and I wonder if I might be able to kill a person this way, one gram at a time. What if these flies are really one body, just broken up into tiny soldiers?

CR Stories is proud to present Nathan’s talent for the Spring showcase. Did we get other flashes for the paper theme? Yes, we did. But Nathan’s work captured the CR Stories spirit of richly layered prose using paper as a unifying element. So Nathan steals the spring show. Enjoy his work. Stay tuned for the interview next week!

Your curly red editor and founder, Niya.

Flies by Nathan Alling Long

Fly on Paper

Flies. Lots of them. All over the table, in my coffee floating, landing on my arms and legs, buzzing around like a hundred toy planes.

I’m trying to enjoy my breakfast, but I feel like King Kong. So I roll up the newspaper and start swatting them, until one lands on my plate.

Then I cover my plate and coffee, put away the butter, jam, and bread, and go back to swatting. Thwack, thwack, thwack.

I have to say, I get pretty damn good at knocking these things off the wall. The real pleasure is hearing them land on the floor like tiny bits of paper, a faint sound, like a fallen angel. Killing is not so bad in tiny amounts, it strikes me now, and I wonder if I might be able to kill a person this way, one gram at a time. What if these flies are really one body, just broken up into tiny soldiers? A horrible thought—and it’s a good thing they don’t reassemble anything human. I don’t think I could take it, trying to slice down a fly man, not before my first cup of coffee at least, not before my toast.

I keep swatting ‘til there’s just a few clever ones left: they fly around the fan blades and only land on the ceiling. I turn the fan on, and they scatter. Then one by one I knock them off, until there’s just one pesky fly left.

That’s when Judy comes into the kitchen and asks me what I’m doing. “Swatting flies?” she asks, then laughs.

“Yes, swatting flies,” I say, not amused. This is serious work—man’s work, really, the taking of life. A pool of adrenaline has welled within me, and I feel myself now a man of considerable tactical skill.

“My grandmother used to catch them like this,” Judy says, snatching her hand once into the air.

“Good for her,” I say, “but that would take too long.” I look at Judy’s hand, still sealed shut. Then I look around the room and recognize that the last fly is gone. I know it has miraculously found itself in her palm of her hand. And sure enough, she walks over to the window, opens it up, and lets the insect fly away.

“How did you do that?” I ask, feeling a bit incredulous, and a bit wounded.

“Your hand just has to be in the right place at the right time,” she says.

“Huh,” I say, and sit back down, uncovering my coffee and toast.

Judy gets out things to make her breakfast: tea and cereal. I wait as she makes her meal then takes it into the den, humming.

Finally, I sit down and take a sip of my coffee. It’s cold. I unfold the newspaper, but now it’s dotted with blood.  I can hear them outside, tapping on the window screen, as though dying to get in.

……………

Previously published in Monkeybicycle